We are dog & pony dc, and we seek to reposition non-profit theatre companies in D.C. and across the country to be in service to their audiences and communities.

We’re a devised theatre ensemble. We create (“devise”) new plays and interactive experiences as a collective (“ensemble”) of hearing and Deaf artists.

We believe in the power of collaboration, between artists and with the audience.

We’re pro-innovation. We recognize innovation requires structure, chaos, and a leap of faith, so our process embraces them.

We approach all our work with a healthy mix of playfulness and generosity, as we believe that amplifies the impact of our work.

You complete us.

You all have hit upon a mode of development and production that successfully fosters a wide range of community dialogues about the nature of arts, culture, and society in a way that is thought-provoking, emotionally moving, and incredibly immersive.

David D. LaCroix, Ph.D., science and technology collaborator on Toast

Gidon [my son] still talks about Beertown ALL THE TIME. Refers to it constantly. Very very impactful…

Martin Kaminer, audience member

Beertown is another amazing addition to dog & pony dc’s roster of plays that put you into the action in a fun and unique way, only to send you off afterwards having learned more about yourself and your friends and fellow citizens, perhaps more than you might have cared to. I would love to see this again with a different audience to see how the outcome changes.

Michael Boberg, audience member

…’A Killing Game’ is in part a lab experiment: By what means and to what degree can theater make use of an audience as a creative force? Unlike some ‘interactive’ events, in which actors jump off the stage and sit in playgoers’ laps or dragoon a spectator or two onto the stage for an anxious cameo in a short skit, ‘A Killing Game’ tries, with more trust in its customers, to upend the us-and-them aspect of theatergoing. It’s as if the troupe were saying, ‘Hey: Uncross your arms! We’re all on the same side!
–The Washington Post, July 21 2013

Peter Marks, reviewing for The Washington Post

Sometimes you walk into a theater and by the time you get to your seat, you just know you’re going to have a good time…A Killing Game is tight and sharp…zippy and chaotic and manages to be both cynical and optimistic.
–The Cincinnati Enquirer, June 3 2013

David Lyman, reviewing for The Cincinnati Enquirer