We are dog & pony dc.

We believe in the power of collaboration, between artists and with the audience.

We’re pro-innovation and taking necessary leaps of faith.

We believe playfulness and generosity amplifies the impact of our work.

We seek to upend the way non-profit theatre is made and consumed, repositioning it in service to its audience and community

You complete us.

Think you’re too sophisticated to play along with an interactive theater company? Well, think again. The clever folks at Dog & Pony DC have collectively devised a theater piece about a small, fictional Midwestern town, and it requires much audience interaction. The result is so gently satiric and utterly involving that you’ll find yourself voting for and against issues before you even realize you’ve raised your hand.
–The Washington Post, November 14, 2011

Jane Horwitz, reviewing for The Washington Post

Witnessed some stellar #museumtheater courtesy of @dogandponydc yesterday! #HiveDC 🐝

@taylorkhorst

We appreciate dog & pony dc’s high artistic standards and aspiration to change the audience’s perception of its role in a theatrical experience.

Jill Strachan, Executive Director, Capital Hill Arts Workshop

One of the best performative experiences I’ve had….

Caitlin C., audience member regarding SEVEN AGES: YOUR LIFE THROUGH THE SENSES

…’A Killing Game’ is in part a lab experiment: By what means and to what degree can theater make use of an audience as a creative force? Unlike some ‘interactive’ events, in which actors jump off the stage and sit in playgoers’ laps or dragoon a spectator or two onto the stage for an anxious cameo in a short skit, ‘A Killing Game’ tries, with more trust in its customers, to upend the us-and-them aspect of theatergoing. It’s as if the troupe were saying, ‘Hey: Uncross your arms! We’re all on the same side!
–The Washington Post, July 21 2013

Peter Marks, reviewing for The Washington Post