We are dog & pony dc.

We are a collective of hearing and Deaf artists who create
new plays and interactive experiences.

We believe in the power of collaboration, between artists and with the audience.

We’re pro-innovation and taking necessary leaps of faith.

We believe playfulness and generosity amplifies the impact of our work.

We seek to upend the way non-profit theatre is made and consumed, repositioning it in service to its audience and community

You complete us.

You know a performance is good when all the crazy, seemingly out-­of-­control moving parts add up to an infectious entertainment experience.
-City Beat, May 31 2013

Joe Gorman, reviewing for City Beat

You won’t find Beertown on any map, but you’ll find the town’s essence in your heart as you struggle to figure out what items best tell your own story, and realize that memories change slightly each time you remember something, usually a result of twisting some of the details to create a supposedly better narrative. What starts out as a fun stay in a quirky little town ends up being surprisingly emotional.
–The News Record, March 9, 2016

Stephanie L. Smith, reviewing for The News Record

You all have hit upon a mode of development and production that successfully fosters a wide range of community dialogues about the nature of arts, culture, and society in a way that is thought-provoking, emotionally moving, and incredibly immersive.

David D. LaCroix, Ph.D., science and technology collaborator on Toast

Sometimes you walk into a theater and by the time you get to your seat, you just know you’re going to have a good time…A Killing Game is tight and sharp…zippy and chaotic and manages to be both cynical and optimistic.
–The Cincinnati Enquirer, June 3 2013

David Lyman, reviewing for The Cincinnati Enquirer

…’A Killing Game’ is in part a lab experiment: By what means and to what degree can theater make use of an audience as a creative force? Unlike some ‘interactive’ events, in which actors jump off the stage and sit in playgoers’ laps or dragoon a spectator or two onto the stage for an anxious cameo in a short skit, ‘A Killing Game’ tries, with more trust in its customers, to upend the us-and-them aspect of theatergoing. It’s as if the troupe were saying, ‘Hey: Uncross your arms! We’re all on the same side!
–The Washington Post, July 21 2013

Peter Marks, reviewing for The Washington Post